Sisters of the Brush: Women's Artistic Culture in Late Nineteenth Century Paris
It stands out because it asks for less time than many of the longer volumes on this page.
4
Catalog books
3
Works
1994 to 2008
Strongest span
Tamar Garb has enough depth here to be more than a raw catalog rollup. This page pulls together 4 catalog-linked books across 1994 to 2008, which makes it easier to separate the strongest starting points from the noisier editions. The clearest lane here leans toward Backlist browsing.
Best for readers who want a dependable place to start before opening the full catalog list. If you want the easiest first click, start with Sisters of the Brush: Women's Artistic Culture in Late Nineteenth Century Paris and branch outward from there. UPB note: the strongest documented run here lands between 1994 to 2008; the most common copies on this page tend to come from W W Norton & Co Inc and Spencer Museum of Art, University of Kansas in association with University of Washington Press, Seattle.
Sisters of the Brush: Women's Artistic Culture in Late Nineteenth Century Paris
Yale Univ Pr • 1994 • standard commitment
It stands out because it asks for less time than many of the longer volumes on this page.
Best known for: Backlist browsing entry points • common used copies from W W Norton & Co Inc and Spencer Museum of Art, University of Kansas in association with University of Washington Press, Seattle
Genres and themes: Backlist browsing
Who this author is best for: readers who want a dependable place to start before opening the full catalog list
UPB note: the strongest documented run here lands between 1994 to 2008; the most common copies on this page tend to come from W W Norton & Co Inc and Spencer Museum of Art, University of Kansas in association with University of Washington Press, Seattle.
Sisters of the Brush: Women's Artistic Culture in Late Nineteenth Century Paris
Yale Univ Pr • 1994 • standard commitment
UPB note: year signal: 1994 • 207 pages.
Spencer Museum of Art, University of Kansas in association with University of Washington Press, Seattle • 2008 • commitment varies by edition
It helps anchor a specific period of this author’s publishing run instead of blending into the undated shelf clutter.
W W Norton & Co Inc • commitment varies by edition
It stands out partly because the publisher trail is clearer than usual for this author page.
Bodies of Modernity: Figure and Flesh in Fin-De-Siecle France (Interplay)
W W Norton & Co Inc • commitment varies by edition
UPB note: one of the most common used-copy publishers for this author.