The Singer Resumes the Tale (Myth and Poetics)
It helps anchor a specific period of this author’s publishing run instead of blending into the undated shelf clutter.
2
Catalog books
4
Works
1992 to 1995
Strongest span
Albert Bates Lord examines how oral poets remember and reshape narratives, drawing on fieldwork and comparative study in The Singer Resumes the Tale. His writing tracks performance techniques, mnemonic structures, and the social role of storytelling to show how long poems survive and change in oral tradition.
Lord combines close description of singers’ practices with theoretical observation, tracing patterns of formula, variation, and composition in performance. The book translates these practices into practical insights about memory, improvisation, and the communal transmission that keeps large-scale epic and tale alive.
The Singer Resumes the Tale (Myth and Poetics)
Cornell Univ Pr • 1995 • standard commitment
It helps anchor a specific period of this author’s publishing run instead of blending into the undated shelf clutter.
Best known for: Oral tradition studies • Comparative mythology • Poetics of epic performance
Genres and themes: Folklore and myth • Oral storytelling • Epic narrative
Who this author is best for: Ideal for readers who appreciate close readings of oral performance and the mechanics of storytelling in mythic traditions.
Start with The Singer Resumes the Tale to see Lord's approach to how singers shape and transmit epic narratives.
The Singer Resumes the Tale (Myth and Poetics)
Cornell Univ Pr • 1995 • standard commitment
UPB note: one of the most common used-copy publishers for this author • year signal: 1995 • 258 pages.
A Lower Ladakhi Version of the Gling Rgyal Lham Kesar
Taylor & Francis • 1992 • commitment varies by edition
UPB note: year signal: 1992.