Embodied Meanings: Critical Essays and Aesthetic Meditations
It stands out because it asks for less time than many of the longer volumes on this page.
20
Catalog books
20
Works
1980 to 2022
Strongest span
Arthur C. Danto approaches art criticism as sustained philosophical inquiry. In Embodied Meanings he collects essays that move from close readings of paintings to broader meditations on meaning, showing how artworks reveal and reshape concepts rather than merely illustrating them.
The book pairs rigorous argument with accessible examples, tracing how aesthetic judgment depends on historical and conceptual contexts. Danto’s voice blends clarity and provocation, inviting readers to reconsider what counts as representation, interpretation, and the very identity of art.
Embodied Meanings: Critical Essays and Aesthetic Meditations
Farrar Straus & Giroux • 1995 • quick commitment
It stands out because it asks for less time than many of the longer volumes on this page.
Best known for: Philosophy of art and aesthetics • Art criticism and theory • Essays on interpretation
Genres and themes: Aesthetics • Art theory • Philosophical essays
Who this author is best for: For readers who want clear, probing reflections on what art means and how we interpret it.
Begin with Embodied Meanings to sample concise essays that bridge criticism and philosophy.
Embodied Meanings: Critical Essays and Aesthetic Meditations
Farrar Straus & Giroux • 1995 • quick commitment
UPB note: year signal: 1995 • 144 pages.
Philosophizing Art: Selected Essays
Univ of California Pr • 1999 • standard commitment
It helps anchor a specific period of this author’s publishing run instead of blending into the undated shelf clutter.
The Body/Body Problem: Selected Essays
Univ of California Pr • 1999 • standard commitment
UPB note: one of the most common used-copy publishers for this author • year signal: 1999 • 262 pages.
Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective
Univ of California Pr • 1998 • standard commitment
UPB note: one of the most common used-copy publishers for this author • year signal: 1998 • 263 pages.
Connections to the World: Basic Concepts of Philosophy
Univ of California Pr • 1997 • standard commitment
UPB note: one of the most common used-copy publishers for this author • year signal: 1997 • 281 pages.
Encounters and Reflections: Art in the Historical Present
Univ of California Pr • 1997 • longer commitment
UPB note: one of the most common used-copy publishers for this author • year signal: 1997 • 356 pages.
Playing with the Edge: the Photographic Achievement of Robert Mapplethorpe
Univ of California Pr • 1995 • standard commitment
UPB note: one of the most common used-copy publishers for this author • year signal: 1995 • 208 pages.
Princeton University Press • 2021 • standard commitment
UPB note: year signal: 2021 • 272 pages.
Yale University Press • 2013 • standard commitment
UPB note: year signal: 2013 • 192 pages.
Edinburgh University Press • 2007 • standard commitment
UPB note: year signal: 2007 • 264 pages.
East European Monographs • 2007
East European Monographs • 2007
Unnatural Wonders: Essays from the Gap Between Art and Life
Farrar Straus & Giroux • 2005
After the End of Art: Contemporary Art and the Pale of History
Princeton Univ Pr • 1998
Farrar Straus & Giroux • 1994
Encounters & Reflections: Art in the Historical Present by Danto, Arthur C
Farrar Straus & Giroux • 1991
The Philosophical Disenfranchisement of Art
Columbia Univ Pr • 1986
Nietzsche as Philosopher [Paperback]
Columbia Univ Pr • 1980
The Madonna of the Future: Essays in a Pluralistic Art World
Farrar Straus & Giroux • 2000
Columbia University Press • 2022