Bram Dijkstra

  • 8

    Catalog books

  • 6

    Works

  • 1978 to 2010

    Strongest span

Who This Author Is

Bram Dijkstra has enough depth here to be more than a raw catalog rollup. This page pulls together 8 catalog-linked books across 1978 to 2010, which makes it easier to separate the strongest starting points from the noisier editions. The clearest lane here leans toward Backlist browsing.

Best for readers who want a dependable place to start before opening the full catalog list. If you want the easiest first click, start with Masterpieces of San Diego painting and branch outward from there. UPB note: the strongest documented run here lands between 1978 to 2010; the most common copies on this page tend to come from Oxford Univ Pr and Princeton Univ Pr.

Best Place To Start

Masterpieces of San Diego painting

Oceanside Museum of Art • 2008 • quick commitment

It stands out because it asks for less time than many of the longer volumes on this page.

Author At A Glance

Best known for: Backlist browsing entry points • common used copies from Oxford Univ Pr and Princeton Univ Pr

Genres and themes: Backlist browsing

Who this author is best for: readers who want a dependable place to start before opening the full catalog list

UPB note: the strongest documented run here lands between 1978 to 2010; the most common copies on this page tend to come from Oxford Univ Pr and Princeton Univ Pr.

Top Books To Start With

  1. Masterpieces of San Diego painting

    Oceanside Museum of Art • 2008 • quick commitment

    UPB note: year signal: 2008 • 136 pages.

  2. GEORGIA O'KEEFFE AND THE EROS OF PLACE

    Princeton Univ Pr • 1998 • standard commitment

    It helps anchor a specific period of this author’s publishing run instead of blending into the undated shelf clutter.

  3. Idols of perversity: fantasies of feminine evil in fin-de-siecle culture

    Oxford Univ Pr • 1988 • longer commitment

    UPB note: one of the most common used-copy publishers for this author • year signal: 1988 • 468 pages.

  4. Idols of Perversity: Fantasies of Feminine Evil in Fin-De-Sciecle Culture

    Oxford Univ Pr • 1986 • longer commitment

    UPB note: one of the most common used-copy publishers for this author • year signal: 1986 • 453 pages.

  5. Cubism, Stieglitz, and the Early Poetry of William Carlos Williams

    Princeton Univ Pr • 1978 • standard commitment

    UPB note: year signal: 1978 • 256 pages.

  6. Naked: The Nude in America

    Rizzoli|Rizzoli International Publications, Incorporated • 2010 • longer commitment

    UPB note: year signal: 2010 • 476 pages.

  7. Evil Sisters: The Threat of Female Sexuality in Twentieth-Century Culture

    Henry Holt & Co • 1998 • longer commitment

    UPB note: year signal: 1998 • 480 pages.

  8. Evil Sisters: The Threat of Female Sexuality and the Cult of Manhood

    Random House Inc • 1996 • longer commitment

    UPB note: year signal: 1996 • 480 pages.

How The Picks Compare

  • Masterpieces of San Diego painting is the easier short commitment, while GEORGIA O'KEEFFE AND THE EROS OF PLACE asks for more reading time up front.
  • GEORGIA O'KEEFFE AND THE EROS OF PLACE gives you an earlier look at this author’s shelf, while Masterpieces of San Diego painting leans later in the catalog.
  • Idols of perversity: fantasies of feminine evil in fin-de-siecle culture is also useful if you want a different publishing lane from Masterpieces of San Diego painting.

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